Blue Face

Toki

My art inspiration comes from an artist named Blank Banshee. I’ve always admired how his work feels open to interpretation, like every piece tells a different story depending on who’s looking at it. When I first started creating art, I approached it the same way, letting viewers find their own meaning. Over time though, I started blending that idea with my own emotions and experiences. I realized how powerful it is to express how I feel in everyday life. FLUID! That’s the word I always come back to. Versatile and adaptable. My creativity feels like water. It flows through whatever shape it needs to take. I would describe myself as a boundless ocean of ideas, constantly moving, changing, and reshaping itself.                                                                       

The reason I came up with the sticker concept was simple curiosity. I wanted to see if a single image I designed, paired with a QR code, could spark interest or start a reaction. It started out as just a fun experiment, like what would happen if I left a piece of my art out in the world for random people to discover? But it quickly turned into something deeper. It became this quiet way of connecting with strangers.. Every time someone scanned one or even stopped to look, it felt like a small shared moment of discovery. That’s what I love most about it, that my art could reach people in the real world without me being there. It’s my way of building a small community through creativity, one interaction at a time.                                                                                             

And I’m completely okay with it being a slow, genuine process, not something forced or rushed. I don’t care about blowing up overnight or chasing numbers. I’d rather have something real and organic, something that grows on its own. So I decided to test the idea out for real. I ordered 100 stickers as a test run, each one a 2x2 in. That size felt perfect to me. Subtle enough to blend in on a wall or sign, but still big enough for someone to notice if they looked closely. I remember the day they arrived; I opened the package and just stared at them for a while. Seeing my art printed like that, something physical I could actually hold, made me feel proud in a way.                                                                         

I didn’t really have a plan for where to put them. I just wanted to see where the journey would take me. I started sticking them in different spots around my city, near creative areas, sometimes in random corners where people wouldn’t expect to find art. Over time, some made their way out of state and traveled small trips I took. Honestly, I don’t even remember all the places they ended up, and that’s part of what makes it fun. The idea that my art could be sitting somewhere I’ve never been or maybe on a street post in another city or a café wall a thousand miles away.. exciting to think about..                                                                     

After awhile of putting up my stickers , I started noticing something my website traffic began to rise. Not a crazy spike, but enough to make me notice that people were checking it out more often. Around the same time, I also gained a few new Instagram followers, people I didn’t know at all. That’s when it clicked. The stickers were actually working. My small idea, this little experiment, was making real connections. It felt good because it wasn’t about numbers or attention, it was about proof. Proof that creativity can still reach people physically, even in a world that’s so digital now. There’s something more human about someone finding your art out in the real world, touching it, scanning it! Some people even messaged me saying they found my sticker somewhere and wanted to know more. Those messages made my day. It showed me that people still appreciate mystery, discovery, and creativity that isn’t spoon fed to them. That’s what keeps me going, knowing that my art can speak for itself.                                                                                                                   

The stickers also taught me something deeper about my process. Being fluid doesn’t just describe my art, it describes how I move through ideas. I don’t stick to one path.. I let my projects evolve naturally. Just like water, I adapt to whatever direction creativity pulls me in. Whether it’s digital design, music, or something completely random I treat it all as part of the same flow.                                    Blank Banshee’s influence definitely planted that mindset in me, the idea that art doesn’t need to be explained. It can just exist. My stickers are like that too. I don’t want to tell people exactly what they are or what to think. I just want them to experience it however they feel. That freedom of interpretation is what makes it sensational (Futures Voice) lol. Even though this was just a test run, it opened my mind to new ideas and what to implement next time. The thought of someone discovering one months or years from now still feels exciting. I think in today’s world,it's important. Everything feels so fast and temporary online, but when you put something out into the real world, it feels more alive.

Party in East Kensington

It was Mason’s party — that’s what everyone kept saying, though no one seemed

to know Mason beyond a few encounters at galleries and half-remembered bar

nights. He’d rented an old textile warehouse off Lehigh Avenue and called it The

Unveiling, which sounded grander than what it was: a cracked-brick building with

a makeshift stage and a rented light rig. By the time I arrived, the whole place

smelled of fresh paint, sweat, and patchouli oil.

The people who gathered there looked like they’d come from every possible

decade. A few wore thrifted 1970s silk shirts unbuttoned halfway down, others

sported black cargo pants and neon sneakers. One woman had wrapped herself in

a silver emergency blanket like a dress, the crinkling sound louder than the bass

line. The art-school kids from Fishtown called it “post-apocalyptic glam.” They

danced as though they’d invented irony.

The music wasn’t a DJ set so much as a collage: old Bowie, a few T. Rex deep cuts,

then a jarring shift into hyperpop. Someone with an analog synth kept layering

live loops over the tracks, producing this hum that made the walls tremble. You

could feel it through your chest more than you could hear it.

The Ride Over

I’d taken the Market–Frankford Line as far as York–Dauphin, then walked the last

stretch. The train car was mostly empty — just a few kids with speakerphones

blaring trap beats and an older man sleeping against the window. My reflection in

the dark glass looked like it belonged somewhere else: jacket too clean, eyes too

alert. I told myself it was curiosity that pulled me out tonight, but I knew better.

I’d been stuck in my own head for weeks, waiting for something — anything —

that felt alive.

The air smelled of metal and cold rain. As I crossed Front Street, a group of graffiti

writers were painting a wall by flashlight. The letters read MAKE ME FEEL AGAIN. I

stopped long enough to take a picture and then kept walking, repeating that

phrase in my head like a dare.

By the time I reached the warehouse, the night had thickened into fog. Cars lined

the block, bass thudding faintly through the pavement. Someone had strung a

row of fairy lights from a telephone pole to the door, guiding people like runway

markers. I handed five bucks to a girl with glitter on her face who stamped my

wrist with a heart and said, “Welcome to church.”

Inside the Party

The warehouse ceiling soared higher than I expected, beams wrapped in strands

of Christmas lights. Near the entrance, a group clustered around a kiddie pool

filled with ice and canned seltzers. In the back, someone had set up a projection

of looping home videos — families on roller skates, children blowing out candles

— playing silently on the brick wall.

I found Mason near the makeshift bar, tall, thin, wearing a velvet jacket over bare

skin. He looked like he’d been waiting his whole life for this exact night. When he

smiled, I noticed glitter at the corners of his mouth.

“Glad you made it,” he said, as though we were old friends.

“I wasn’t sure if I was invited.”

He shrugged. “Everyone’s invited until the cops come.”

That seemed to be the unspoken rule. The music kept escalating, the synth player

now accompanied by a drummer beating on paint buckets. A couple began

waltzing in the middle of the crowd, perfectly in sync, oblivious to the tempo.

People cheered them on; phones flashed.

I tried to dance, but mostly ended up swaying, feeling the rhythm vibrate through

the soles of my shoes. It wasn’t joy exactly — more like surrender. For a few

minutes I forgot what time it was, who I was supposed to be. Strangers smiled at

me like we’d known each other forever. Every light seemed softer, every color

more forgiving.

Conversations

At the far end of the room, near a set of cracked windows, I met a girl named Liv

who claimed she could tell fortunes through playlists. She asked me to name

three songs I couldn’t live without. When I told her, she nodded thoughtfully and

said, “You’re looking for redemption, not love.”

“Is there a difference?” I asked.

“Love is lighter,” she said, “redemption drags.”

She wrote something on my hand in Sharpie — a Spotify code, probably — and

disappeared into the crowd. When I looked down later, the ink had already

smeared, leaving only a blue blur.

Someone shouted that Mason was about to perform. The lights dimmed. He

climbed onto the small stage, holding a microphone wrapped in a scarf. The music

shifted to a slow, aching melody — his own song, apparently. His voice cracked

halfway through, but that only made it better. People raised their phones,

capturing the moment he fell to his knees, arms spread like a preacher. I watched,

caught between admiration and embarrassment. For all its chaos, the night had

turned sincere.

Around Midnight

The crowd started thinning out after one a.m. Outside, sirens echoed in the

distance. Someone announced that a food truck had parked two blocks over, and

a wave of people drifted that way. Inside, the lights flickered, revealing how tired

everyone looked. Glitter smudged, makeup streaked, smiles loose and satisfied. I

found Mason again — shirt gone now, sweat glistening — and thanked him for

the party.

“Don’t thank me,” he said, laughing. “Thank the universe for showing up.”

He handed me a half-empty bottle of cheap champagne, which I took out of

politeness. When I turned back, he was already hugging someone else.

Leaving

The air outside hit me like a different season. Cool, almost clean, the smell of wet

pavement replacing the cloud of perfume and smoke. Streetlights cast halos in

the fog. The laughter from the crowd near the food truck sounded far away,

unreal.

I walked without direction, just needing space to hear my own thoughts again. My

ears rang from the bass, my heart still beating faster than it should. Every shadow

looked like someone I might have danced with. I passed a mural of angels painted

on a crumbling wall — their faces half-erased by weather. For a second, I

imagined one of them turning toward me.

At the corner, I found a rideshare idling, the driver half-asleep. The city slid by

outside the window — rowhouses, dark factories, empty lots. I thought about

Mason, about Liv and her playlists, about the way the night had briefly made me

feel infinite. Then the feeling began to fade, as all highs do, leaving a quieter truth

in its place: that maybe the party wasn’t about being seen at all. Maybe it was

about remembering that somewhere in the noise, we’re still capable of joy.

When the car crossed the bridge back toward Center City, the skyline looked

softer than usual, like it was waiting for morning. I leaned my head against the

glass, let the cool air from the vent hit my face, and whispered a small thank-you

— to no one in particular — for the fact that, for a few hours in East Kensington,

everything had almost made sense.

Blog Post Title Four

It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.

Don’t worry about sounding professional. Sound like you. There are over 1.5 billion websites out there, but your story is what’s going to separate this one from the rest. If you read the words back and don’t hear your own voice in your head, that’s a good sign you still have more work to do.

Be clear, be confident and don’t overthink it. The beauty of your story is that it’s going to continue to evolve and your site can evolve with it. Your goal should be to make it feel right for right now. Later will take care of itself. It always does.